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Nepali Music Borrowed By Bollywood

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Raja Harishchandra (1913), by Dadasaheb Phalke, is known as the first silent feature film made in India. By the 1930s, the industry was producing over 200 films per annum. The first Indian sound film, Ardeshir Irani's Alam Ara (1931), was a major commercial success. There was clearly a huge market for talkies and musicals; Bollywood and all the regional film industries quickly switched to sound filming.<br />
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The 1930s and 1940s were tumultuous times: India was buffeted by the Great Depression, World War II, the Indian independence movement, and the violence of the Partition. Most Bollywood films were unabashedly escapist, but there were also a number of filmmakers who tackled tough social issues, or used the struggle for Indian independence as a backdrop for their plots.<br />
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In 1937, Ardeshir Irani, of Alam Ara fame, made the first colour film in Hindi, Kisan Kanya. The next year, he made another colour film, a version of Mother India. However, colour did not become a popular feature until the late 1950s. At this time, lavish romantic musicals and melodramas were the staple fare at the cinema.<br />
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Golden Age<br />
Following India's independence, the period from the late 1940s to the 1960s is regarded by film historians as the "Golden Age" of Hindi cinema. Some of the most critically acclaimed Hindi films of all time were produced during this period. Examples include the Guru Dutt films Pyaasa (1957) and Kaagaz Ke Phool (1959) and the Raj Kapoor films Awaara (1951), Shree 420 (1955) and Dilip Kumar's Aan (1952). These films expressed social themes mainly dealing with working-class urban life in India; Awaara presented the city as both a nightmare and a dream, while Pyaasa critiqued the unreality of city life. Some of the most famous epic films of Hindi cinema were also produced at the time, including Mehboob Khan's Mother India (1957), which was nominated for the Academy Award for Best Foreign Language Film,[18] and K. Asif's Mughal-e-Azam (1960). Madhumati (1958), directed by Bimal Roy and written by Ritwik Ghatak, popularised the theme of reincarnation in Western popular culture. Other acclaimed mainstream Hindi filmmakers at the time included Kamal Amrohi and Vijay Bhatt. Successful actors at the time included Dev Anand, Dilip Kumar, Raj Kapoor and Guru Dutt, while successful actresses included Nargis, Vyjayanthimala, Meena Kumari, Nutan, Madhubala, Waheeda Rehman and Mala Sinha.<br />
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While commercial Hindi cinema was thriving, the 1950s also saw the emergence of a new Parallel Cinema movement. Though the movement was mainly led by Bengali cinema, it also began gaining prominence in Hindi cinema. Early examples of Hindi films in this movement include Chetan Anand's Neecha Nagar (1946) and Bimal Roy's Do Bigha Zamin (1953). Their critical acclaim, as well as the latter's commercial success, paved the way for Indian neorealism and the Indian New Wave. Some of the internationally acclaimed Hindi filmmakers involved in the movement included Mani Kaul, Kumar Shahani, Ketan Mehta, Govind Nihalani, Shyam Benegal and Vijaya Mehta.<br />
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Ever since the social realist film Neecha Nagar won the Grand Prize at the first Cannes Film Festival, Hindi films were frequently in competition for the Palme d'Or at the Cannes Film Festival throughout the 1950s and early 1960s, with some of them winning major prizes at the festival. Guru Dutt, while overlooked in his own lifetime, had belatedly generated international recognition much later in the 1980s. Dutt is now regarded as one of the greatest Asian filmmakers of all time, alongside the more famous Indian Bengali filmmaker Satyajit Ray. The 2002 Sight & Sound critics' and directors' poll of greatest filmmakers ranked Dutt at No. 73 on the list. Some of his films are now included among the greatest films of all time, with Pyaasa (1957) being featured in Time magazine's "All-TIME" 100 best movies list, and with both Pyaasa and Kaagaz Ke Phool (1959) tied at No. 160 in the 2002 Sight & Sound critics' and directors' poll of all-time greatest films. Several other Hindi films from this era were also ranked in the Sight & Sound poll, including Raj Kapoor's Awaara (1951), Vijay Bhatt's Baiju Bawra (1952), Mehboob Khan's Mother India (1957) and K. Asif's Mughal-e-Azam (1960) all tied at No. 346 on the list.<br />
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Modern cinema<br />
In the late 1960s and early 1970s, romance movies and action films starred actors like Rajesh Khanna, Dharmendra, Sanjeev Kumar and Shashi Kapoor and actresses like Sharmila Tagore, Mumtaz and Asha Parekh. In the mid-1970s, romantic confections made way for gritty, violent films about gangsters (see Indian mafia) and bandits. Amitabh Bachchan, the star known for his "angry young man" roles, rode the crest of this trend with actors like Mithun Chakraborty, Anil Kapoor and Sunny Deol, which lasted into the early 1990s. Actresses from this era included Hema Malini, Jaya Bachchan and Rekha.<br />
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Some Hindi filmmakers such as Shyam Benegal continued to produce realistic Parallel Cinema throughout the 1970s, alongside Mani Kaul, Kumar Shahani, Ketan Mehta, Govind Nihalani and Vijaya Mehta. However, the 'art film' bent of the Film Finance Corporation came under criticism during a Committee on Public Undertakings investigation in 1976, which accused the body of not doing enough to encourage commercial cinema. The 1970s thus saw the rise of commercial cinema in the form of enduring films such as Sholay (1975), which consolidated Amitabh Bachchan's position as a lead actor. The devotional classic Jai Santoshi Ma was also released in 1975. Another important film from 1975 was Deewar, directed by Yash Chopra and written by Salim-Javed. A crime film pitting "a policeman against his brother, a gang leader based on real-life smuggler Haji Mastan", portrayed by Amitabh Bachchan; it was described as being "absolutely key to Indian cinema" by Danny Boyle. The most internationally acclaimed Hindi film of the 1980s was Mira Nair's Salaam Bombay! (1988), which won the Camera d'Or at the 1988 Cannes Film Festival and was nominated for the Academy Award for Best Foreign Language Film.<br />
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During the late 1980s and early 1990s, the pendulum swung back toward family-centric romantic musicals with the success of such films as Qayamat Se Qayamat Tak (1988), Maine Pyar Kiya (1989), Dil (1990), Hum Aapke Hain Kaun (1994), Dilwale Dulhania Le Jayenge (1995) and Kuch Kuch Hota Hai (1998) making stars of a new generation of actors (such as Aamir Khan, Salman Khan and Shahrukh Khan) and actresses (such as Madhuri Dixit, Sridevi, Juhi Chawla).[21] In that point of time, action and comedy films were also successful, with actors like Govinda and actresses such as Raveena Tandon and Karisma Kapoor appearing in popular comedy films, and stunt actor Akshay Kumar gaining popularity for performing dangerous stunts in action films in his well known Khiladi (film series) and other action films. Furthermore, this decade marked the entry of new performers in arthouse and independent films, some of which succeeded commercially, the most influential example being Satya (1998), directed by Ram Gopal Varma and written by Anurag Kashyap. The critical and commercial success of Satya led to the emergence of a distinct genre known as Mumbai noir,[35] urban films reflecting social problems in the city of Mumbai. This led to a resurgence of Parallel Cinema by the end of the decade. These films often featured actors like Nana Patekar, Manoj Bajpai, Manisha Koirala, Tabu and Urmila Matondkar, whose performances were usually critically acclaimed.<br />
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The 2000s saw a growth in Bollywood's popularity across the world. This led the nation's filmmaking to new heights in terms of production values, cinematography and innovative story lines as well as technical advances in areas such as special effects and animation. Some of the largest production houses, among them Yash Raj Films and Dharma Productions were the producers of new modern films.[37] Some popular films of the decade were Koi... Mil Gaya (2003), Kal Ho Naa Ho (2003), Veer-Zaara (2004), Dhoom (2004), Hum Tum (2004), Dhoom 2 (2006), Krrish (2006), and Jab We Met (2007). These films starred established actors. However, the mid-2000s also saw the rise of popular actors like Hrithik Roshan, Saif Ali Khan, Shahid Kapoor, and Abhishek Bachchan, as well as actresses like Rani Mukerji, Preity Zinta, Aishwarya Rai, Kareena Kapoor, and Priyanka Chopra.<br />
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In the early 2010s, established actors like Salman Khan and Akshay Kumar became known for making big-budget masala entertainers like Dabangg and Rowdy Rathore opposite younger actresses like Sonakshi Sinha. These films were often not the subject of critical acclaim, but were nonetheless major commercial successes. While most stars from the 2000s continued their successful careers into the next decade, the 2010s also saw the rise of a new generation of actors like Ranbir Kapoor, Imran Khan, Ranveer Singh, and Arjun Kapoor, as well as actresses like Vidya Balan, Katrina Kaif, Deepika Padukone, Anushka Sharma, and Parineeti Chopra.<br />
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Hindi films can achieve national distribution across at least 22 of India’s 29 states. The Hindi film industry has preferred films that appeal to all segments of the audience (see the discussion in Ganti, 2004, cited in references), and has resisted making films that target narrower audiences. It was believed that aiming for a broad spectrum would maximise box office receipts. However, filmmakers may be moving towards accepting some box-office segmentation, between films that appeal to rural Indians, and films that appeal to urban and international audiences.

Nepali Music Borrowed By Bollywood

Raja Harishchandra (1913), by Dadasaheb Phalke, is known as the first silent feature film made in India. By the 1930s, the industry was pr...

Watch what happened after doctors told this mom her newborn son didn’t make it

PK Sanam 0 8:12 PM

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Aussies Kate and David Ogg had tried for three years to conceive.<br />

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When Kate was finally giving birth to twins (a boy and a girl), the atmosphere in the delivery room turned “quite strange,” she said.<br />
The boy, Jamie, wouldn’t make it, doctors told her. So she held him close and asked her husband to get in the bed with her.<br />
“I wanted as much body heat around this baby as possible,” she said in the video shared by Johnson & Johnson’s YouTube page. “I moved his ear to my heart…and cried and cried.”<br />
They told him about all his twin sister, about the plans they had for him. And then he opened his eyes and, with his tiny fingers, he grabbed his father’s hand.<br />
The video was made by Johnson & Johnson and has had more than 7 million views since being uploaded in February.

Watch what happened after doctors told this mom her newborn son didn’t make it

Aussies Kate and David Ogg had tried for three years to conceive. When Kate was finally giving birth to twins (a boy and a...

Five year old boy head stuck on pressure cooker

PK Sanam 0 11:44 AM

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Bhopal: In a horrific incident, a 5-year-old child, while casually playing around his residential premises, got his head stuck inside a pressure cooker in Narsinghpur area in Madhya Pradesh.<br />
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MP: Child's head gets stuck in pressure cooker while playing<br />
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The child kept on crying for hours while trying to take-off the pressure cooker from his head.<br />
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Meanwhile, hearing the child's cry, the locals residing in the neighbourhood of this boy's family came rushing and rescued him safely.<br />
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In the video clip, the locals could be seen using a metal cutter to cut the pressure
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Five year old boy head stuck on pressure cooker

Bhopal: In a horrific incident, a 5-year-old child, while casually playing around his residential premises, got his head st...

Tharu Demand

PK Sanam 0 11:03 PM

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Aug 29, 2015- Deserted streets, beefed-up security, a fearful population and sinister rumours. A 24-hour curfew for the last five days.</div>
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This has been the scene in this far-western Tarai town since eight people, including a senior police officer, were killed by an angry mob on Monday.</div>
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People are still struggling to come up with a coherent story line to the events. It will be some time, if at all, before they will be able to put scattered pieces together to answer the key questions: what led to such intense violence against the security forces? What led to the death of an 18-month-old by-stander? And why were the local administration and police so underprepared to tackle the mayhem on Monday when the writing was on the wall?</div>
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“It will perhaps be safe to conclude that police intelligence failed that day and that they were far too late in reacting to the security challenges posed by a big and angry crowd,” said a senior security official. Another question that perhaps will remain a mystery is whether there was infiltration in the largely-Tharu protests.</div>
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In the last couple of days, small groups of locals have begun to huddle in their immediate neighbourhood to make sense of the turn of events. They are also talking of amity and the need to start getting on with their lives. All day Thursday and early on Friday, civil society groups were discussing how a goodwill public rally would help defuse tension.</div>
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But all sides--the Pahadi and Tharu populations, the security forces--acknowledge the underlying tension remains. And that the issue is political and that it needs to be addressed politically.</div>
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“Goodwill rallies are fine but they can only do much,” says Chitra Bahadur Chaudhary, a schoolteacher. “It’s a political problem and needs a political solution. Communal harmony has suffered because the problem is political. You can’t just expect people to come out and hug each other and say, let’s forget the underlying problems.”</div>
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The communal tension in Tikapur, and indeed the larger demand for Tharuhat province in all of Kailali district and beyond, has been festering for a long time. There have been some long-held ‘triggers’ and some fresh ones.</div>
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The then CPN (Maoist) swept all six Kailali constituencies in the 2008 Constituent Assembly elections. The Tharu population overwhelmingly voted in favour of the party as they saw it as their champion which would support a separate Tharuhat province in a new federal Nepal.</div>
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By the 2013 elections, there was major disenchantment towards the Maoists. The Tharu vote blocks were deeply divided and many of them had gone back to the Nepali Congress and the CPN-UML. In Kailali, the UCPN (Maoist) won only one seat; the Madhesi Janadhikar Forum-Loktantrik led by Bijaya Kumar Gachhadar won two, including the constituency where Tikapur is located.</div>
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“Forum was seen as a new torch bearer for the Tharus,” said Chaudhary. “The Maoists, like the NC and the UML, were seen as a Pahadi party.” But there was also palpable frustration that the Forum did not have much of a voice in Kathmandu, unlike the Maoists before the 2013 elections.</div>
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When Forum Chairman Gachhadar signed the 16-point agreement supporting an eight-province model without delineation, there was deep disappointment.</div>
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But, there was also a sense that there had to be some kind of a trade-off with the Pahadi stakeholders if the constitution was going to come out at all. There was also expectation that the Tharuhat demand would be addressed when the delineation did take place.</div>
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When the six-province delineation came out and Tharu demands were ignored, the population felt agitated. “But it was the seven-province draft that came soon after that really angered the Tharus,” says Chaudhary. The demand for Akhanda Sudur Paschim, the undivided Far West, and the Karnali region, was met because the seven-province model continued the old power dynamic that maintained the status quo. “Sher Bahadur Deuba (NC), Bhim Rawal (UML) and Lekhraj Bhatta (UCPN-Maoist) were the three dominant leaders in the Far West and the three parties were forced to listen to them,” said Nathuram Chaudhary, a teacher at Tikapur Multiple Campus. In contrast, the Tharus had no powerful representative in Kathmandu who could fight on their behalf. On August 13, there was a cross-party mass rally in Tikapur where leaders from all major Madhes-based parties and the Baidya party addressed the restive Tharu mass. It turned out to be a major trigger for the Monday protests that saw Tharu activists attack the police. Nepali Congress lawmaker Amresh Kumar Singh was the only leader from the ruling parties to address the rally. Both Tharu and Pahadi analysts say that he made provocative remarks against the Nepali state.</div>
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“He [Amresh Singh] made very insensitive and highly inflammatory remarks at the rally,” said Dhirendra Shahi, a school principal in Tikapur. “He basically said, the Bhumiputra (son of the soil) should drive the Pahadi population out. This, more than anything else, instigated the Tharus.”</div>
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The Pahadi population here is especially angry with Singh and Sadbhawana leader Rajendra Mahato, neither of whom is from the Tharuhat region. They believe that Singh and Mahato came here primarily because their attempts to raise a movement in the eastern and central Tarai had failed and they thus desperately needed a Tharu constituency to rise up against Kathmandu. “If we were as aggressive as they were on that day [the August 13 mass rally] there would have been a bloodbath in Tikapur,” said Shahi.</div>
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THE EVOLUTION OF THARU ACTIVISM</div>
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The rally in Tikapur was led by the Tharu Sangharsha Samiti, a committee under the Kalyankari Sabha, which was started as a social organisation back in the 1960s. Headed now by a Bhairahawa-based engineer Ghaniram Chaudhary, it became politically active in the dying days of the first CA when the Tharus felt that they needed to become politically active so as to pressure the CA to establish a Tharuhat province.</div>
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It now has units in 24 districts across the Tarai/inner Tarai--one is in the Capital. “When we saw that the first CA was not able to deliver on the two core principles of federal demarcation--identity and capacity--our movement took a new turn,” recalled Chitra Bahadur. “After the 2013 elections, the Tharus felt hugely sidelined in national politics, including in Tikapur. The bias of the police and administration in favour of Pahadis became even more pronounced.”</div>
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In the aftermath of the police killings, properties owned by Tharus, including a TV showroom in Tikapur that belongs to one Shiva Narayan Chaudhary, were set fire. Much of the property vandalised are shops and ghumtis owned by small entrepreneurs like barbers and cycle/bicycle repairmen.</div>
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The incidents of arson ceased after the arrival of an Army unit late on Monday. However, there are now fears that a long-standing security presence would lead to harsh treatment of the Tharus, as during the conflict years.</div>
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Over 400 Nepal Army personnel currently remain deployed in and around Tikapur, especially in six VDCs that are seen as potential flashpoints.</div>
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A NEED FOR CONCILIATION</div>
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There is currently an urgent need to repair relations between the Tharu and Pahadi communities. “If the current tension continues,” says Shahi, the school principal, “I fear that an even worse incident could take place.”</div>
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For this to happen, senior political leaders need to cease their polarising rhetoric and make active efforts at conciliation. The curfew needs to be loosened somewhat so that representatives from the two communities can engage with each other. The longer the curfew continues, the longer will members of each community be ghettoised along with their own, preventing efforts at reconciliation.</div>
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In the medium term, boundaries of federal provinces will have to be revised in such a way as to assuage the fears of both the Tharu and Pahadi communities. Towards that end, senior leaders in Kathmandu as well as leaders in Kailali have to demonstrate a sense of pragmatism. “A durable solution will be possible only when proponents of an undivided Far West develop a more practical and flexible approach in the future,” said Raju Hamal, former district president of FNCCI Kailali. According to some analysts, it should be emphasised that the federal structure will be based both on identity and geography, and not on only one of these two principles.</div>
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Needless to say, Nepal’s top leaders will need to consult widely, devise borders with much subtlety and make major efforts to reach out to the population in order to restore harmony in districts like Kailali for the long term.</div>
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<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHSsx-1nukdv0NVqhQUifX3WQJ80CYOvCRatum-avb4kDHJFpaGZTzXNHSzpynJBY5D89Wbk13Ulq3T8nHN4QlNDnvHRze8ZUxWG3f9Ik-szCuDPf8nf5LzrRwQD5ysKNGbaEY_HbaP1Y/s1600/tharu+news.png" /></div>
-from Onlinekhabar
<br />

Tharu Demand

Aug 29, 2015- Deserted streets, beefed-up security, a fearful population and sinister rumours. A 24-hour curfew for the last f...

Priyanka's new nepali song

PK Sanam 0 10:19 AM

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Priyanka Karki (Nepali: प्रियंका कार्की) (27 February 1987) is a Nepalese actress, former Miss Teen Nepal, VJ, singer, choreographer, a model, and a dancer. Before starting her acting career, she worked as a VJ for Kantipur Television hosting the shows 'Celluloid' and 'The Glam Factor'. She gained immense fame after being crowned as Miss Teen Nepal 2005. She is often referred to by the nickname "Prinku", which was given to her by her close friends. After making a name for her in the Nepali industry, Karki left for her higher education to pursue a Bachelor's degree in Filmmaking to the United States.[1] She finished her degree in 2011 and flew back to Nepal to debut as an actress with Prasanna Poudel's Mero Best Friend[2] where she plays the female lead. Right after 'Mero Best Friend', she started filming for Suresh Darpan Pokhrel's 3 lovers .[3] which went on to be her first release as Mero Best Friend got postponed. Her first success at the box office came with the critical and commercial success of the comedy movie Jholay. Immediately after that, her next release Nai Na Bhannu la 2[4] went on to become another blockbbuster grossing over NRS 5 crores and her performance in these two movies established her as one of the most powerful, unstoppable and versatile actors of this industry.[5] Her performances in jholay and Nai Na Bhannu La 2[6] also earned her the OFA award for Best Popular Actor (Female),NETFA award for Best Actor in a supporting role (Female).,[7][8][9][10] INFA award for Best Actor in a Supporting Role (Female) and INFA Most Popular Actor (Female).[11] Her year-around activities, involvement with various national and international events, her charming personality and her incredible fashion sense earned her the "Personality of the year (Female)" for the year 2071 BS.[12][13][14] Karki is currently the brand ambassador for NCELL, Himstar appliances, Dabur Herbal Gel Toothpaste and TVS Motors. She collaborated with The Sajit Poudel<br />
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बलिउड अभिनेत्री प्रियंका चोपडा राम्री अभिनेत्री मात्र नभई राम्री गायिकाको रुपमा पनि चिनिनछिन्। उनको सो परिचय भारतमा मात्र नभइ हलिउडसम्म फैलिएको छ। नेपाली फिल्मकी अभिनेत्री प्रियंका कार्की वर्तमानमा सबैभन्दा व्यस्त नायिका हुन्। उनको सोख पनि प्रियंका चोपडा जस्तै छ। उनी राम्रो अभिनय गर्नुको अलावा  राम्रो गीत पनि गाँउछिन्।<br />
यस अघि 'आवरण' फिल्ममा स्वर भरेकी प्रियंका छिट्टै सोलो एल्बम ल्याउने तयारीमा छिन्। एल्बम सार्वजनिक गर्ने छेकोमा रहेकी प्रियंकाले आफ्नो सो एल्बम रहने एउटा गीत शुक्रबार साँझ सार्वजनिक गरेकी छन्। उनले पुराना चर्चित गायक बच्चु कैलाशले गाएको 'तिम्ले त हैन्, तिम्रा भाकाहरुले' बोलको गीत गाएकी हुन्। क्षेत्रप्रताप अधिकारीले लेखेको गीतलाई उनले कभर भर्सनकारुपमा गाएकी हुन्।<br />
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Priyanka's new nepali song

Priyanka Karki (Nepali: प्रियंका कार्की) (27 February 1987) is a Nepalese actress, former Miss Teen Nepal, VJ, singer, choreog...

Special Tweets by Shanta Chaudhary and Saraswati Subba

PK Sanam 0 6:44 PM

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After the violence in Nepal regarding to federal system, there is like 'Babal' in the country. But there are still some good leaders who wrote against violence and trying to make some social coordination and trying to say people that Single Tribal federal system is not possible and is not the demand of original Nepalese. These Tweets and Facebook status really touches the heart.<br />
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Although slavery was outlawed nearly a century ago and the Kamaiya culture was made a criminal offence in 2009, the practice is so ingrained in the Tarai that it is still accepted. In most cases the parents of the girls themselves sell or rent their daughters to landlords in auctions to reduce the burden of having to take care of them.<br />
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Shanta Chaudhary was one of them. At the age of eight, she was leased for Rs 7,000 a year by her parents who had nine other children and sent off to work in a family in Dang. She was homesick, had to work 19 hours a day, and live in the cowshed. When she made mistakes Shanta was rudely reprimanded by the landlord’s wife and sometimes beaten.<br />
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Shanta yearned to wear a clean uniform and go to school like the children in the family she worked for, she wanted to eat rice like them. During the rainy season, when she got sick, there was no one to take care of her and she missed her mother terribly. There were also decent households where she was treated well and she used to go to watch movies with the landlord’s daughter.<br />
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Most kamlari girls face rape and abuse, so when Shanta became a teenager and had to fend off aggressive, unwanted advances from men, she got married to a friend for companionship and to keep herself safe. Her first son is handicapped, her second baby died of undernourishment, and when she tried to break free village goons set fire to her hut.<br />
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Unlike other kamlari girls, Shanta decided to do something about the injustice and became an activist. She joined the UML party and became a nominated member of the Constituent Assembly so she could realise her dream of a Nepal free of the exploitation, discrimination, and abusethousands of other women like her had to suffer.<br />
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After the CA was dissolved, Shanta decided to write about her life. And what a life. Told in simple, heartfelt sentences, you have to fight back tears as you learn of the tragic injustice that little girls like Shanta had to suffer.<br />
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But there is little bitterness or resentment here, only a determination to set things right. Between the lines, you get a glimpse of the fierce fortitude of this remarkable woman.<br />
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Shanta Chaudhary says she was inspired to write her book after reading Jhamak Ghimire’s masterpiece Jeevan Kanda Ki Phool. Struck by polio and confined to a wheelchair, Ghimire wrote her book with her toes and become an inspiration for many Nepali women.<br />
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But even after finding her place in the national legislature, nominated to the powerful parliamentary committee on natural resources, and given a chance to contribute to the new constitution, Shanta was appalled by the way fellow MPs looked down on her for being a Tharu. “Even there, they made fun of my clothes, my accent, and the fact that I was illiterate,” she says, eyes brimming with tears.<br />
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Shanta, now 34, taught herself to read and write while in the CA. And after the assembly was dissolved started writing her book because she feared that despite the laws, indentured servitude of girls from her community would continue. Shanta’s biggest regret is that the new constitution wasn’t passed last year and the CA was dissolved, but she is happy she could take the plight of her people to the highest law-making body in the land.<br />
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Shanta Chaudhary’s book, Kamlari Dekhi Sabhasad Samma (From Kamlari To CA Member) adds to a growing corpus of books by inpsiring Nepali women, including Jhamak Ghimire, Radha Poudel, and Tara Rai.<br />
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काठमाडौं, भदौ ११ – हिजोआज फेसबुक र ट्वीटर लगायतका सामाजिक सञ्जालमा कतिपयले सामाजिक सद्भाव भड्काउने खालको टिप्पणी लेख्ने गर्छन् । गालीगलौज, आरोपप्रत्यारोप र वादविवादमा रमाउनेहरु सामाजिक सञ्जालमा धेरै हुन्छन् ।<br />
तर सामाजिक सद्भाव बढाउन आह्वान गर्दै अरुको मन छुने टिप्पणी गर्नेहरु पनि छन् । जनजाति महिला अगुवाहरु शान्ता चौधरी र सरस्वती सुब्बा यिनैमध्येमा पर्नुहुन्छ ।<br />
ठाउँठाउँमा जनजाति र थारु समुदायको आन्दोलन भैरहँदा जातीय सद्भाव भड्कन नदिन दुवै अगुवा महिलाहरु सचेत छन् । त्यसैले दुवै जनाले आआफ्नो फेसबुक पेज र ट्वीटरमा नकारात्मक र घृणाका शब्द नलेख्न आग्रह गर्दै आउनुभएको छ ।<br />
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अादिवासी अनुहार भएका तर संकीर्ण र अतिवादी साेच हुनेले मात्र देश जलाउन जातीय राज्य मागेका हुन् । नेपाली जनतालाई जातीय राज्य चाहिदैन ।</div>
— sarswati subba (@SarswatiSubba) <a href="https://twitter.com/SarswatiSubba/status/636729421294993408">August 27, 2015</a></blockquote>
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सरस्वती र मेराे विचार एउटै छ । हामी दुवैजना जातीय राज्य, जातीय घृणा र साम्प्रदायिकता विरुद्ध एक साथ उभिन्छाैं । <a href="https://t.co/JYl1udVM8d">https://t.co/JYl1udVM8d</a></div>
— shanta chaudhari (@ShantaChaudhari) <a href="https://twitter.com/ShantaChaudhari/status/636733048705323008">August 27, 2015</a></blockquote>
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देशलाई माया गर्न कुनै ठुलाे काम गर्नै पर्दैन । नकारात्मक र घृणाका कुरा नलेखाै । यतिबेला याे भन्दा ठूलाे देशसेवा अरु केही हुन सक्दैन ।</div>
— sarswati subba (@SarswatiSubba) <a href="https://twitter.com/SarswatiSubba/status/636732229914370050">August 27, 2015</a></blockquote>
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थारु समुदायलाई अगाडि सारेर भित्रभित्रै हिसा गर्ने र प्रतिकार भन्दै थारुकाे घर जलउने दुवै काम सभ्य मानिसले गर्न सक्दैन । याे अपराध हाे ।</div>
— shanta chaudhari (@ShantaChaudhari) <a href="https://twitter.com/ShantaChaudhari/status/636474401970458624">August 26, 2015</a></blockquote>
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कतिपय पत्रकार जिम्मेवार रुपमा र कतिपय अतिवादी र गैरजिम्मेवार लेखिरहेछन। यस्ताे अवस्थामा पत्रकारले विवेक देखाए हुने। अागाेमा घिउ नहाले हुने।</div>
— sarswati subba (@SarswatiSubba) <a href="https://twitter.com/SarswatiSubba/status/636394826850697216">August 26, 2015</a></blockquote>
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हिसाहत्या गर्ने मानिसलाई जातीय अाँखाले नहेराै‌। कुनै विशेष जातकाे मानिसले हिसा गर्याे नभनाै। जातिलाई दाेष नदिअाै। अपराधीकाे जात हुदैन।</div>
— shanta chaudhari (@ShantaChaudhari) <a href="https://twitter.com/ShantaChaudhari/status/636464834507227136">August 26, 2015</a></blockquote>
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सक्नुहुन्छ भने सद्भाव फैलाउनुस । त्यसाे गर्न सक्नुहन्न भने दुर्भाव चाहिँ नफैलाउनुस् !!!</div>
— sarswati subba (@SarswatiSubba) <a href="https://twitter.com/SarswatiSubba/status/636078729760894976">August 25, 2015</a></blockquote>
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अहिले साम्प्रदायिक अागाे लगाउन खाेजिदै छ। जनतालाई हिसामा उतार्न खाेजिदैछ । सबै सचेत हुनुपर्छ र सबै खालका अान्दाेलन शान्तिपूर्ण गर्न अपिल छ।</div>
— shanta chaudhari (@ShantaChaudhari) <a href="https://twitter.com/ShantaChaudhari/status/636464197300162560">August 26, 2015</a></blockquote>
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whereas Sarswati Pashi is the member of Sagarmatha Dalit women group of Udharapur VDC of Banke. She is 27 years old and mother of 2 children. Before involvements of group, she felt shy to come out from her house. She didn’t talk with unknown person. She hasn’t knowledge about women and Dalit rights. When Dalit women group formatted by Feminist Dalit Organization (FEDO) in her villages in Kartik 2070.<br />
She takes the place of secretary of her group. In group there is regular meeting and discussion on monthly basis. In discussion FEDO’s staff and representatives taught them about the meaningful and proportional representatives of Dalit women in communities and national level of every sector. So their group discuss the about the position of dalit women in school management committee of Bhanu Ma.Vi. of their community.<br />
At first the election boards try to response them about other women and Dalit candidate in school management committee but this group claim about dalit women inclusion so finally the election board accepted to saraswati Pashi as member of school board for election. She did hard work for election her group member also helped and finally she gets 584 among 8 candidates.<br />
In the question, what is your future plan in school management board as Dalit women member? She said that” “I am try to give Dalit children scholarship to right person and encourage to sent school to Dalit children”She add that “we have the plan to increase the dalit women representatives in every sector of VDC level.”In this away Dalit women are empowering and claiming their position in community.<br />
Pabitra Bishwakarma<br />
District Project Coordinator<br />
FLOW, Banke

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Clean Eating Recipes

PK Sanam 0 8:13 AM

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Eating clean may sound like an “out there” buzz term, but the basic principles behind this movement are founded on sound nutrition. Once you get used to it, cooking and eating clean recipes is a snap, even during busy weeknights. To make life easier, plan your menu ahead of time and keep your pantry stocked with healthy “clean” foods. All of these “clean” dishes come together in less than an hour and all of them use simple ingredients most people have on hand or can be quickly picked up at the grocery store. For those strictly following a clean-eating diet, these Cooking Light recipes fit the bill. For those who are just interested in what “clean eating” is all about, see how easy (and delicious) it can be.<br />
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Clean Eating Recipes

Eating clean may sound like an “out there” buzz term, but the basic principles behind this movement are founded on sound nutri...